Sheikh Arif Bulbon :
Popular theatre, TV and film actress of present generation Rukaiya Jahan Chamok, popularly known as Chamok Tara, is not only busy with acting but also concentrates to own YouTube channel. Now for her YouTube channel, Chamok is doing some works from her social responsibilities. She has already released some contents on different issues related to women and its remedies, and also focusing on old age homes. After releasing these contents of her YouTube channel, Chamok has become a humanitarian actress. On her birthday, she lastly released a content on her YouTube channel
asking the society why parents stay at old age homes. Not only this, she passes sometimes at old age homes besides her birthday. Basically, as an actress, she continues acting with the concept of humanitarian life. Chamok informed that she planned to make music videos of three songs to release on her YouTube channel. She will take part in shooting of these three music videos in different locations of Cox’s Bazar from November 11. Then she will release music videos of three songs – Rudro, Priyo Aamar and Ushnota, which lyrics were written by Kazi Jamal. Belly Afroz, Naznin Nazu and Sumona Topoti
respectively rendered these songs. Shooting of these videos are to be done next few days in a row. Prince Khan will make music videos
of these songs. Two times ‘Mr Bangladesh’ Riaz and Shahen Shah, who earlier performed as model in Chamok’s video, will perform as models in these music videos.
While talking about three songs, Chamok Tara said, “My mother including younger sister Ratri always gives me inspiration to my works. All these three songs are
really melodious. There will be an attempt to make eye-catching music videos as viewers show their keen interest to watch these music
videos. I am very much optimistic
about these video songs.”
Chamok Tara has already performed in an ‘item song’ on Shihab Shahin directed movie Mafia.
The song titled Ashona Aamar Buke Ashona has already viewed by
2 lakh 50 thousand viewers
on her YouTube channel.
