AFP, Lagos :
Mention northern Nigeria and the first thing that may spring to mind is Boko Haram. Zainab Ashadu is hoping to change that-by selling designer handbags.
The Nigerian designer is the brains behind the Zashadu brand, whose modern, colourful creations use the ancient art of tanning and leather-dyeing from the country’s north.
“I think people like the story behind the bags. They like the fact that the bag has roots and origins,” the 32-year-old told AFP at her bustling workshop in a working class district of Lagos.
From the cramped premises in Festac, which buzzes with the sound of Singer sewing machines, a team of about half a dozen artisans make between 200 and 300 bags every year.
Ashadu’s parents were from the north, which is these days rarely out of the news because of the Islamist insurgency that has been raging since 2009.
But the region has long been known for its high-quality leather, which the designer turns into clutch purses and handbags that sell overseas for between 150-800 euros ($180-980, 120-630 pounds). The leather comes from the north’s biggest city, Kano, goatskin from the ancient northwestern city of Sokoto as well as python skin from snake farms in the region.
Unlike European fashion houses, which import raw leather from Nigeria and then tan and dye it overseas, Ashadu decided to make use of the centuries of know-how of artisans in Kano.
“It is very important for me to work in a sustainable way,” she said.
“I work with small families of tanners, the animals are traceable, we use vegetable dyes and other environmentally friendly dyes, and also the dyers work all together to save energy.”
The designer gets her inspiration from hours of hunting for bargains in the maze of stalls in the huge Mushin market, in the Lagos suburbs. The market sells Nigerian leather off-cuts and rejects, particularly from Italian fashion houses.
“It’s so vibrant… there’s so much leather available and sometimes the sellers have no idea of the quality of what they sell,” said Ashadu.
“There’s antelope-that is very soft-there’s goatskin, sheepskin…”
From there, the material is turned into bags by her team, all of whom have been trained at a specialist school of leatherwork in the northern city of Zaria.
Mention northern Nigeria and the first thing that may spring to mind is Boko Haram. Zainab Ashadu is hoping to change that-by selling designer handbags.
The Nigerian designer is the brains behind the Zashadu brand, whose modern, colourful creations use the ancient art of tanning and leather-dyeing from the country’s north.
“I think people like the story behind the bags. They like the fact that the bag has roots and origins,” the 32-year-old told AFP at her bustling workshop in a working class district of Lagos.
From the cramped premises in Festac, which buzzes with the sound of Singer sewing machines, a team of about half a dozen artisans make between 200 and 300 bags every year.
Ashadu’s parents were from the north, which is these days rarely out of the news because of the Islamist insurgency that has been raging since 2009.
But the region has long been known for its high-quality leather, which the designer turns into clutch purses and handbags that sell overseas for between 150-800 euros ($180-980, 120-630 pounds). The leather comes from the north’s biggest city, Kano, goatskin from the ancient northwestern city of Sokoto as well as python skin from snake farms in the region.
Unlike European fashion houses, which import raw leather from Nigeria and then tan and dye it overseas, Ashadu decided to make use of the centuries of know-how of artisans in Kano.
“It is very important for me to work in a sustainable way,” she said.
“I work with small families of tanners, the animals are traceable, we use vegetable dyes and other environmentally friendly dyes, and also the dyers work all together to save energy.”
The designer gets her inspiration from hours of hunting for bargains in the maze of stalls in the huge Mushin market, in the Lagos suburbs. The market sells Nigerian leather off-cuts and rejects, particularly from Italian fashion houses.
“It’s so vibrant… there’s so much leather available and sometimes the sellers have no idea of the quality of what they sell,” said Ashadu.
“There’s antelope-that is very soft-there’s goatskin, sheepskin…”
From there, the material is turned into bags by her team, all of whom have been trained at a specialist school of leatherwork in the northern city of Zaria.